Rambo's notes. I divided his notes up then listed all of them following chart so you could see the time frame

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Everyone	Beautiful visual and detailed set dressing; watch upper pitches although nicely excited; excellent depth of scenery pieces; Cast: very committed and lots of careful aliveness on stage; Cast needs to watch enunciation particularly when turning 1/4 and 1/2 to speak to fellow actors; You need to concentrate on fewer higher pitches more in very emotional moments--working on building pitch levels and allowing a mid-range pitch and lower pitches to surprise more often than using volume and upper pitches. Great company and excellent directing; allow more whole-body stylization with differing sways and stronger arms when whole body is peaking emotionally.
Town	Allow all parts of body to move at a differing rhythm in opening; Group speaking needs a little more crispness; Company: watch muscularity of arm extensions: build on that- need variation and weirdness Avoid semicircle company stage left during Ramzi scene- you did break it however, good adjustment Window: how to evolve with window: more ritualistic perhaps, perhaps more stylize like arms and angled or held up higher those who are able to hold; Door was a little awkward on entrance, let it express the emotional undertones; I tend to watch company rather than table work with Moises, watch isolation of face motions; Lights on crowd: same as stage left scene with Priest and Moises was distractive; During healing scene, we need to move town – suggestions?  Especially those left stage. Awkward cross fade from Luis and Monica and crowd -work on transition there Excellent costuming and prop usage with Townspeople; Black head covering company member: nicely articulated and blue headband: ends of phrases were very certain; This was Kate.  Everyone needs to end sentences as loudly as you begin them. Company as you sway, be sure you move differently than left hip to right hip a little too often; Timing on Shock: first one was off;
Music	Sound level is pretty loud for clear projection of voices particularly because of the dialect Music: stunning just too loud when text is spoken, in my opinion
Moises	Moises:  crashing radio had nice muscularity and follow through; Moises: nice connection with Priest when he enters your home; Moises: good taking toward Priest; Boy was healed: Moses: the hand motion upward needs more of a question than answer to what you see; Moises: going down emotionally from stomach that pulls you to ground k ending up on knees; scene change was flat which was good emotionally but nothing to focus on when  Moises crosses up to get bucket; Moises: watch your spine pull up more naturally; Every child is healed: more ritualistic getting up on table, and more realistic on full body turn
Belen	;; Belen: more lower pitches when excited so as to avoid strain, good rate variation; ; Belen: slight shifting weight from side to side- don’t sway Nice illusion of Belen's in blue costume;
Monica	Monica: nice clear words stage right in scene; Monica: good look of pregnancy;
Luis	Luis: nicely played reason to enter; nice rise and fall with washer; Luis: watch ends of phrases somewhat Luis: good safety but good muscularity with Monica; Luis: we had to: decision to tell her this: needs more depth;
Eugenio	Priest: excellent physicality but needs somewhat crisper enunciation Priest: stumbling: not believable; Priest: better facial aliveness with Moises after Luis; Priest: watch facial illusion and use breathing and neck movements also to show reaction more;
Moises & Belen	Belen and Moises: nicely blocked and turned out;
Lights -Matthew	Awkward cross fade from Luis and Monica and crowd:

Allow all parts of body to move at a differing rhythm in opening; Beautiful visual and detailed set dressing; Sound level is pretty loud for clear projection of voices particularly because of the dialect; watch upper pitches although nicely excited; Monica: nice clear words stage right in scene; Luis: nicely played reason to enter; nice rise and fall with washer; Luis: watch ends of phrases somewhat; excellent depth of scenery pieces; Group speaking needs a little more crispness; Moises:  crashing radio had nice muscularity and follow through; Priest: excellent physicality but needs somewhat crisper enunciation; Belen: more lower pitches when excited so as to avoid strain, good rate variation; Music: stunning just too loud when text is spoken, in my opinion; Belen: slight shifting weight from side to side; Belen and Moises: nicely blocked and turned out; Company: watch muscularity of arm extensions: build on that; Avoid semicircle company stage left: you did break it however, good adjustment; Window: how to evolve with window: more ritualistic perhaps, perhaps more stylize like arms and angled or held up higher those who are able to hold; Door was a little awkward on entrance, let it express the emotional undertones; Priest: stumbling: not believable; Monica: good look of pregnancy; Luis: good safety but good muscularity with Monica; Nice illusion of Belen's in blue costume; Moises: nice connection with Priest when he enters your home; Moises: good taking toward Priest; Priest: watch facial illusion and use breathing and neck movements also to show reaction more; Luis: we had to: decision to tell her this: needs more depth; I tend to watch company rather than table work with Moises, watch isolation of face motions; Lights on crowd: same as stage left scene with Priest and Moises was distractive; Boy was healed: Moses: the hand motion upward needs more of a question than answer to what you see; Awkward cross fade from Luis and Monica and crowd: Excellent costuming and prop usage with Townspeople; Black head covering company member: nicely articulated and blue headband: ends of phrases were very certain; Company as you sway, be sure you move differently than left hip to right hip a little too often; Timing on Shock: first one was off; Moises: going down emotionally from stomach that pulls you to ground k ending up on knees; scene change was flat which was good emotionally but nothing to focus on when  Moises crosses up to get bucket; Moises: watch your spine pull up more naturally; Priest: better facial aliveness with Moises after Luis; Every child is healed: more ritualistic getting up on table, and more realistic on full body turn; Cast: very committed and lots of careful aliveness on stage; Cast needs to watch enunciation particularly when turning 1/4 and 1/2 to speak to fellow actors; You need to concentrate on fewer higher pitches more in very emotional moments--working on building pitch levels and allowing a mid-range pitch and lower pitches to surprise more often than using volume and upper pitches. Great company and excellent directing; allow more whole-body stylization with differing sways and stronger arms when whole body is peaking emotionally.